Suspiria (dir. Dario Argento, 1977)
z ... mplsusa ... stuntwoman
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#SamRockwell at the @Tribeca film and #TheCinemaSociety #afterparty for “A Single Shot”. #BFAlive #TeamBFA #FamousonBFA. Photo by @Matteoprandoni. JN
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General Motors Technical Center, Warren, Michigan, United States of America - Eero Saarinen (1956)
© Balthazar Korab
(via louxosenjoyables)
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“For a long time, François thought that Domicile conjugal would be the last Doinel, that he wouldn’t make any more. But he was dissatisfied: ‘It’s not possible, to have had the chance to film an actor from ages fourteen to thirty, to have all this material, and not to do something.’ And we embarked on L’Amour en fuite, ‘to finish off Doinel,’ he said. But he never really wanted to get rid of Doinel. We had black shouting matches on this project. I would say, ‘Either we want there to be other films with Jean-Pierre Léaud as Doinel, and we end on a shot like Charlie Chaplin: he hits the road and we’ll meet up with him somewhere; or we kill him and we’re rid of him.’ ‘You’re completely crazy, we can’t kill Doinel, I haven’t the right!’
"Then, I suggested that we end it as a film within the film. At the end we would have discovered that it was a film being shot, we would have said, ‘Ah, yes, he’s an actor!’ and François would have entered the picture. We would thereby really have detached Léaud from Doinel. Of course, this was another way of killing Doinel, and I thought that would liberate François and Jean-Pierre. But he didn’t like that at all and he refused.”
— Suzanne Schiffman<3
(via celluloidfire)
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Second Prize Competition Entry, Franklin Delano Roosevelt Memorial, Washington, D.C., 1961
(Abraham W. Geller & Associates)
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Portraits taken by John Goto in Lewisham circa 1977. He’s just published Lovers Rock, a book of these, and you can check out more of them on this page.
(via louxosenjoyables)
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Nino Castelnuovo and Catherine Deneuve on the set of Les Parapluies de Cherbourg (1964)
(Source: sharontates, via humphreysbogart-deactivated2016)
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